Monday, December 29, 2008

Top 10 2008

Better late than never, eh.

10. Fleet Foxes - Fleet Foxes
If you’ve put this away to hide it from the hyperbole, bring it out and play it. It really is good.

9. Q-Tip - The Renaissance

What good is an ear if a q-tip isn’t in it?” Nuff said.

8. The Death Set - Worldwide
Another new band from the goldie (last year it was Operator Please) - this time, acid thrash pop.

7. of Montreal - Skeletal Lamping
Not as good as last year’s ‘Hissing Fauna We Are Destroyer’, but still an absorbingly dark and twisted journey through the fantasy mind of Kevin Barnes.

6. Dengue Fever - Venus on Earth
Off kilter 60s Cambodian rock songs.

5. Deerhoof -  Offend Maggie
No, nothing to do with Thatch, but another tunestuffed wonder record from this magnificent band. For some reason, inexplicably unknown over here.

4. TV on the Radio - Dear Science
Survives the painful overhype to resound as a clarion call for everyone who sometimes likes to think while they rock. Great hair too.

3. These New Puritans - Beat Pyramid

Southend. Say no more.

2. Roots Manuva - Slime and Reason

Woah! Best yet from Rodney Smith.

1. The Dodos - Visiter
Class, and great live. Full review here.

Posted by skinnywhiteboy at 09:59:58 | Permalink | No Comments »

Tuesday, January 1, 2008

top 10 records of 2007

In reverse order, the best albums of 2007*

10. Mum - go go smear the poison ivy


A joyful scatter of strings, beats and mournful scando voices. Not just for middle class dinner parties.

9. Wu Tang Clan - 8 diagrams


The wait was worth it…just. Looking forward to more hip hop competition in 2008’s best of.

8. Flaming Lips - at war with the mystics


Beer adverts haven’t ruined it - their weakest record but still the better than 99% of guitar bands out there. And they remain very out there.

7. Sons of Noel and Adrian - EP


Sons of Noel and Adrian - Untitled EP
A surprise live sensation discovered on my birthday - as yet unsigned Brighton folk band who will undoubtedly go big. Stormy acoustic tales of salty sea captains and broken hearts on dark beaches…topped by the voice of an undead lover.

6. Miracle Fortress - five roses


Brian Wilson had an awful come back this year - he should have left it to this odd Canadian, Graham Van Pelt. Wilsonesque, yet up to date thematically and musically (and far less tiresome than Panda Bear, who’s solo album made most ‘best of’ lists this year).

5. Thurston Moore - trees outside the academy


This should have been terrible - what other 50 year olds are making rock music this relevant? But it’s a tour de force (possible exception of the ‘experimental’ final track, Thurston at 13), combining acoustic tunefulness and abstract noise - it’s (steady…) fun!

4. Beirut - the flying club cup


Zach Condon and friends discover France, and throw accordions and songs of old Parisian postcards into the pot. Given that the pot already contains mariachi brass, eastern European folk and that wonderful dirge of a voice, it’s a fine feast. Can’t get tired of it.

3. Devendra Banhart - smokey rolls down thunder mountain


The Laurel Canyon freak folk nutter finds rock, and bursts through the confines of lo-fi. Not that his lo-fi folk wasn’t great - it was - but this album sends him to the bosom of Iggy Pop as well as Neil Young, and even chucks in some dub for good measure. 16 great tunes - and he kicks it live.

2. A Hawk and a Hacksaw and the Hun Hangar Ensemble - eponymous


This EP saw a happy marriage of Hungarian virtuosos Hun Hangar, with New Mexico-based violin and accordion/percussion/vocals duo A Hawk and a Hacksaw. Truer to eastern Europe than previous records, and less experimental with it, nevertheless this isn’t ordinary stuff. Cymbalom solos, rocking brass, Heather Trost’s errie violin and the unfairly talented Jeremy Barnes doing pretty much everything else. Another great live act this year.

1. Deerhoof - friend opportunity


If I was being really honest, I’d have filled the top 10 with this record. That would have been a bit pointless, I guess, but shows how far ahead of the rest of ‘em I think this is. Perfect music - a righteous balance of noise (knife edge guitar, one hell of a drum clatter, odd time signatures aplenty) and tune (the usual out there soprano nursery rhyme vocal, bass like McCartney at his very best) and nary a duff track. Say no more - just get it!

*as measured scientificallilly by their ability to inspire one or more of the following: joy, jumping around, shock, awe, tears, peaceful sleep.

Posted by skinnywhiteboy at 10:24:02 | Permalink | Comments (2)